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INTERVIEW With Pepsi of RenaissanceThis
past Saturday (February 16,2002), Pepsi from Renaissance Sound was in Chicago for Sagittarius
Valentines Bashment. Wrecka, from
chicagoreggae.com crew caught up with him for an exclusive interview. Pepsi: Actually I wasnt afraid. If this is the way to go, this is the way to go. My job comes first.
I love to play music and the best thing is to play it all over the
world
I had a ticket for September 11. I was supposed to go to Fort Lauderdale. Wrecka: Do you consider Renaissance a juggling sound
or a clash sound or both? Pepsi: We are a juggling sound. We tend to bring a dancing vibe to whatever we are
doing. Not that we cant defend
ourselves in case anything happens, but that is not our aim.
Pepsi: To tell you the truth, Stone Love has been on the
top of my list for the longest time still, and Bass Odyssey. Bass Odyssey has this thing where they can be
anything they want to be. They can clash and
juggle. Other sounds can do that too, but
Bass Odyssey just has a formula and they stick to that and it works. Wrecka: What sounds do you dislike and why? Pepsi: I dont really dislike any other sound you
know. This sound name can not go on the
record (here we turned off the recorder J)
Wrecka: Which countries or cities do you like to play the
most in? Pepsi:
some cities arent that hype, but some
are wicked. I was in Boston last week and
that was really good since it was a couple weeks after superbowl. Ive been to Finland and Estonia. Germany was
really good. One of my favorite places to
play in is Antigua. The people are just hype. Its almost a Jamaican type of crowd. Wrecka: Which place would you like to play in the most
where you havent played already? Pepsi: Japan. Renaissance
has been to Japan, but not me. Boy, the
technology
I want to carry some money with me and just come back broke. Buy some things..
Wrecka: Where is the best dance youve played? Pepsi: Thats a really hard question. Boston last week was really hype
Another one was, boy mi haffi give you about three
you know- Stone Love, Sagittarius in
Atlanta, that was a nice dance and one in Germany<The name of the
festival in germany is "Splash" it was kept at : Chemnitz (Stausee
Oberrabenstien)> We were juggling alongside a German sound called SoundQuake. That was a dance where I couldnt leave. I dont know if the crowd really understood
the music as such, but trust me, they were dancing, it was all good. When it lock off, nobody would leave. Hot crowd. Shouting
More! More!, five oclock in the morning shouting more
. Wrecka: Which sound would you like to clash with the most? Pepsi: Damn
. (this
one had to go off the record too) <Pepsis
very diplomatic, eeh?> Wrecka: Which sounds would you like to juggle alongside
with the most? Pepsi: Boy theres none exactly. Believe me, weve played with most sounds
already and its always been a good vibe
so far. Wrecka: Which artists have made your favorite dubplates? Pepsi: All of the artists treat us well. All of them.
I cant think of any one. <after
more coaxing from Wrecka> Well, right now
we dont really walk with it as much still, but the Spragga Benz
Wrecka: Yes. It
seems Spragga never really gets his props. You
think its due to promotion or what? Pepsi: Most foreigners dont understand our
language. You dont have to change your
culture to make other people understand what youre saying. Its really about proper promotion and being
able to introduce people to what you are used to. Because
Bob Marley did not change what he was doing at all. He
just kept on doing what he was doing until people catch on. Wrecka: You feel if you had better promotion both island
side and state side dancehall would be in better shape? Pepsi: Yeah! Let
me show you a small point. For example, we
are keeping a dance, if you notice you go into a Jamaican store you see the flyers all
over the place, but if you walk into an Italian store you dont see any. Why is that?
Do we feel that Italians wont appreciate our music or is it that we
just dont want them to come? If
you dont invite people, they wont come. You
have to start giving it to other people so the music can get bigger and better. Wrecka: Has the dancehall music treated Renaissance Sound
fairly? Pepsi: Business is very fickle. It has treated Renaissance and a lot of sounds
fairly, but then again it has treated a lot of sounds unfairly. We have worked hard and have earned our way in the
business, so no complaints about that. Wrecka: How would you define work? Pepsi: Anything it takes to put you on top, you have to
continue to do, or else
Anything at all
that will put you on top. So if you have to
kill a man to get your sound on top, you have to continue killing or else you ago drop
off. Wrecka: What do you feel about mixing reggae and hiphop? Pepsi: Well, its
a new avenue. Its a way for other
artists to get a break in the business. We
can be straight dancehall, or we can mix it up. Its
a good way to bring life into the business, but at the same time if you do too much of a
foreign thing then youll drown out your own stuff, so you have to keep a balance in
between
It doesnt jeopardize our music in any way. Wrecka: How do you feel personally about the profanity
laws that theyre trying to enforce in Jamaica? Pepsi: It has its good points and it has its
bad points. Its good because it helps
protect the kids, but its bad when you try to enforce it on adults in an adult
environment, it makes no sense. Youre
trying to take away peoples freedom. Wrecka: What would you like to say to the
fans? Pepsi: Keep the love and spread the music. Make dancehall get bigger. Wrecka: what would you like to say to other sounds? Pepsi: Boy
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