| Bushman
:: King of Kings Family Tour @ Wild
Hare 10/30/01

By Steve Serpiente/Pictures by Issa Prophet
CHICAGO - In regal fashion, the King of Kings Family Tour paraded five stately singers
before a full house at the Wild Hare in a royal
three hour plus performance backed by the Grass Roots band's majestic riddims.
The top ranking lion of the tour, Dwight Duncan (better known as Bushman), sang praises of
Rastafari, chanted down Babylon and exalted the healing power of marijuana during his 50
minute set. Clad in khaki military garb, Bushman simultaneously executed his assault
against Babylon and soothed its sufferers with his potent Jah Jah music.
(For those not familiar with Bushman, he is a young roots & culture singer often
compared to Luciano, but with a more militant edge lyrically. A country youth hailing from
the parish of St. Thomas, Duncan was dubbed Bushman by the prominent Jamaican production
duo of Steely & Clevie in the mid 1990s. Although Duncan was at first reluctant to
accept the moniker, he soon came to embrace it upon
learning that in west Africa the term Bushman referred to a medicine man or healer.)
*click the pics to enlarge
Introduced by MC Jazzy at 1:15 a.m., Bushman roared into his performance with the title
track of his 1997 debut album Nyah Man Chant, followed by "Worries and Problems"
from his 1999 release, Total Commitment. Other key cuts included from Total Commitment
were "Hard Time" and the lovers lament "Afraid of Commitment."
    
Unleashing a harsh warning over the "Darker Shade of Black" riddim against
perpetuators of the shytstem in "Robbery Aggrovation" (Higher Ground, 2001),
Bushman sang, "Mystery Babylon, your bodyguard is gonna need some bodyguards / cause
the ghetto youths no take no more card / Can't you see the cup is running over / and
anytime now they could turn you over?" Within the chorus of the same song, Bushman
points victims to the way out of Babylon's quagmire: "There's only one solution: / to
become a Rastafari."
(Bushman references "Mystery Babylon" in several of his compositions. While
Webster's Ninth New Collegiate Dictionary defines Babylon as "a city devoted to
materialism and the pursuit of sensual pleasure," Bushman offered the following
interpretations during an exclusive interview with chicagoreggae.com's Issa Prophet:
"a society that oppresses another;" "Babylon is confusion;" and
"(a) concept that people impose on others.")
Also from the "Higher Ground" record, Bushman hit the Hare with "Yadd Away
Home," "Your Love," the deliciously ital "Fire Pon a Deadas"
(which promotes a vegetarian lifestyle) and the toker's delight "100% (The
Highest)." This last track followed "Cannabis" (Nyah Man Chant) to make up
Bushman's mini celebration of herb. On the soulful "Remember the Days" (Nyah Man
Chant), Bushman demonstrated his vocal dexterity as he simmered down with the slow rocking
beat, singing Motown style.
The crowning jewel of the evening was "Fire Bun a Weak Heart" (Total
Commitment). Riding the Hypocrites riddim, Bushman hauled up in the middle to big up
Dennis Emmanuel Brown by singing a couple verses by the Crown Prince, then proceeded with
the chorus from the Wailers' original "Hypocrites" before returning to his own
lyrics of "Fire Bun a Weak Heart." Truly wicked.
Unfortunately, Bushman's portion of the show was cut short just as he was warming up with
some lion growling vocalizations when Wild Hare management turned up the house lights at 2
a.m. - a signal to end the performance in compliance with city ordinances regulating
operating hours. (Raas Claat Babylon!)
The other lions and lioness in the King of Kings stable made their marks, showcasing their
various talents and creating positive vibes throughout the night.
    
Dancing across the stage effortlessly and (as pointed out by Issa) breathlessly, Norris
Man pumped out 40 minutes of reggae, rub a dub and R&B. Entering with the intro of
Stevie Wonder's "Ribbon in the Sky," Norris Man won over new fans with his
versatility. He went from voicing original lyrics over Gregory Isaacs' laid back
"Soon Forward" riddim to a high voltage dancehall groove during which he had
revellers bouncing and jumping. Norris Man then mashed up the Hare with "Bad
Road," which can be found on his 2001 recording, Persistance, and on the VP Records
compilation Universal Message.
 
Exercising his powerful pipes, Chrisinti mixed up roots singing and dancehall rapping in
his 35 minute stint, which was capped with his strong version of Jimmy Cliff's "The
Harder They Come."
Promoting his new CD, A Friend for Life, Iley Dread (real
name Colin Levy) contributed a competent half hour of roots, lovers and covers, which
began with an a cappella intro to an original number voiced over Bob Marley & the
Wailers' "Lively Up Yourself" riddim. He also reworked Chalice's 1981 hit
"Good To Be There," as well as "Don't Look Back" (the Temptations
classic which Peter Tosh gave a popular reggae makeover in a duet with Mick Jagger on
Tosh's 1978 Bush Doctor album). The latter track featured some inspired rapping by the two
female backup singers.       
A gifted young sister by the name of Nikki Burt opened the show at 11 p.m. with a 25
minute set highlighted by sweet covers of Marley's "Is This Love" and Sade's
"Lovers Rock."
           
Grass Roots, a tight unit comprised of drummer Deleon White, bassist Rupert McKensie,
guitarist Bryan Grant and keyboardist Philip James, kicked out hard riddims for all five
singers with no breaks. In addition to touring with Bushman and crew, the group is also
Junior Kelly's live backing band.
  
Jermaine Forde, son of King of Kings Family Tour manager Marcia Simpson and stepson of
founding Black Uhuru member Derrick "Duckie" Simpson, skillfully worked the
mixing board as the tour's engineer.
To read Issa Prophet's interview with Bushman, watch this space.
Contact reggae addict Steve Serpiente at serpiente97@yahoo.com
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